Charles-Francois Daubigny
French Barbizon School Painter, 1817-1878
was one of the painters of the Barbizon school, and is considered an important precursor of Impressionism. Daubigny was born into a family of painters and was taught the art by his father Edmond François Daubigny and his uncle, miniaturist Pierre Daubigny. Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Is??re). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet. In 1866 Daubigny visited England, eventually returning because of the Franco-Prussian war in 1870. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cezanne, another important impressionist. Related Paintings of Charles-Francois Daubigny :. | Sluice in the Optevoz Valley | Fishing Port | Cattle on the Bank of a River | Daybreak, Oise Ile de Vaux | The Crossroads at the Eagle's Nest, Forest of Fontainebleau | Related Artists: Heinrich BurkelGerman, 1802-1869 John Dalbiac LuardLD 1872-1944 Nationality: English James Walter Robert Lintonwater-colourist ,English. 1869-1947
Australian silversmith, jeweller, woodworker and painter of English birth. His father was the watercolourist Sir James Dromgole Linton (1840-1916). Having trained as a painter and architect in London, he travelled to Western Australia in 1896 and began practising metalwork after settling in Perth; he was appointed head of the art department of Perth Technical School in 1902. Following a trip to London in 1907, when he attended classes at the Sir John Cass Technical Institute under Harold Stabler, he concentrated on producing metalwork. Working in partnership with Arthur Cross, William Andrews and his own son Jamie Linton (1904-80), he produced ecclesiastical and domestic wares, presentation pieces and jewellery. His designs were influenced by British Arts and Crafts metalwork and were bold and simple, with decoration generally confined to hammered surfaces, twisted wire, hardstones and enamels.
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